Wednesday, October 14, 2009

October 2009: Peru Ana Ana Peru in Brooklyn

No matter what you think of the artwork, one thing's for sure: Peru Ana Ana Peru gets up. From big pieces to small stickers slapped on any surface, you can't walk a block in NYC without seeing the name. This week, the art moves indoors as the Brooklynite Gallery presents the artist's solo show. Here are the goods:
"Brooklynite Gallery presents: '...And Then We Jumped into the Abyss of Numbers: Memories in Absurdity From the Bowels of Peru Ana Ana Peru'. The show runs from October 17-November 14. The opening night reception takes place on Saturday, October 17 from 7-10 pm. The evening features special musical guest Bomb Squad (of Public Enemy)."
"Brooklynite is located at 334 Malcolm X Blvd Brooklyn, NY 11233. Directions: A train to Utica, exit at head of train, walk to Malcolm X Blvd, take left, go two blocks, gallery is on Malcolm X between Decatur and Bainbridge.)"

"We will present multi-media paintings/drawings, sculpture and installations, as well as a host of video art pieces all telling strange narratives that will be loaded with an array of bleeps and blips, and non-sequiturs the likes of piñatas, shaving cream, goats, wolfwomen, baby heads, ballpoint pens, Rubik's cubes, birthday parties, insects, whiskey, wine, boxing gloves, and bows and arrows, just to name a few."
"As a much added bonus, the soundtrack to the opening night event will be performed by Bomb Squad [Hank Shocklee; Future Frequency], which is the force behind Public Enemy and some of the most significant albums of all time. They'll perform a preview of the new upcoming album of futuristic dub and live electronics."
"For those outside NY, the opening will be streamed live at the Brooklynite Gallery website (just click on LIVE TV). Hope to see you there."

Thanks, guys! If you can't make it to the opening, be sure to check it out online. For more photos, visit Peru Ana Ana Peru's Flickr.

Tuesday, October 13, 2009

September 2009: Momo in NYC

When I was little, I used to spend hours playing with Colorforms. Those little floppy shapes could turn into anything: houses, boats, people. I'd stick them all over the windows, on the walls of the bathtub, and even on the fridge. Maybe Momo had a set, too, because his posters take this concept to the next level. This guy has been all over and isn't afraid to get crazy with it. He writes:
"I've had a crazy couple weeks, tons of friends in town. I flew spontaneously to California, and I'm completely broke as usual, which is a relief in someways because it's so familiar. Here's my deal."
"MOMO is known for tagging his name the width of Manhattan, creating oversized collages, faking a New Yorker magazine cover, and building a totem pole in the East River, a computer script which makes his art for him, and a mural project with Melissa Brown that destroys their art for them."
"He's done Tide-powered sculpture with Eltono, and prints, paintings, and videos that rely on chance for fun and substance. In 2009, Rojo published his first monograph, 3am-6am, and Y-3 created MOMO shoes."
"MOMO grew up in San Francisco and traveled extensively, before settling in New York."
"He joined a graffiti crew in 1999 while living in Spain, found his use of color while employed in the Caribbean, and fell for outside art while living outside; in a cave for a year, in a truck for a year, in a tent for a year. He now lives in a former bodega in Brooklyn."

Wild, man! Whenever I need a 40 and a sandwich, I'll stop by your bodega-house! For more photos, details, and videos, stop by his website.

Monday, October 12, 2009

In The Headlines

Still recovering from this weekend. After running a half marathon, working a meet, celebrating my 2 year-old cousin's birthday, and listening to music at Rocktoberfest, I'm exhausted, deafened, and hungry. Fortunately, I get Columbus Day off (otherwise, I'd be a mess). While I pull it together, you can flip through the headlines.

If you're in Sydney this month, stop by the Pine Street Creative Arts Centre for "Urban Art Agenda #3." The show, which runs through October 22, features work by Jef Aerosol, A1one, Ananda Nahu, and more.

If you loved the Graffiti Verité series, you can now catch the whole thing streaming online. Hard copies will be available January 1.

In Philadelphia, a local arts initiative hopes to use street art to bring more people to the river.

Omino71 caught up with the Stickheads on his blog.

Not the best photos, but here's a taste of San Fran's Mission District activity.

Me Too Crew argues that graffiti is not vandalism.

Bahrain runs its street art festivals a little differently, but Yasmine is set to make an impression on the canvas this week.

In Wooster Collective's new column for Good Magazine, they interview Martin Sobey about his unique use of Legos.

Alsacherie's show opens Friday in at Artstüebli in Basel, Switzerland. The reception starts at 8 pm.

Mimi the Clown opens the doors to his studio this coming weekend. Located at 151 bld Montebello à Lille (métro Porte des Postes), you can view his work Friday 2-7, Saturday, noon to midnight, and Sunday 12-6. For more info, check his website.

Friday, October 9, 2009

Friday Profile: Neil 'Women158' Parkinson

No matter what he’s doing, Neil Parkinson, a.k.a. Women158, always sees the world through an artist’s perspective. “I don’t think I’m ever not an artist,” he says. “It’s not a part-time vocation; it’s an all-consuming demon that makes you question everything you see. I don’t think you’re ever able to switch that part of yourself off.” This Leeds-based artist has been on his grind since his first commission at 14.
As a shy child, Women158 spent hours drawing ladies in his grandmother’s garden. “I remember wanting a picture of a girl in a bikini for my bedroom wall when I was younger,” he recalls. “My mum said that if I wanted something like that on my wall, I should learn to draw it. So I did. It instilled in me a strong DIY ethic.” In 2000, he transitioned from pen and paper to spray cans and walls. “I didn’t really have a clue how to do anything,” he confesses, “So my earlier pieces were god awful: too big, too small, out of proportion, etc. I was mainly interested in the act of doing it at the time, just doing art for the sake of art.”
While he insists, “I didn’t make a piece worth the paint used on it until 2005,” Women158 eventually developed a more mature signature style. “I’ve let it grow at its own speed over the years,” he adds, “and now people see to instantly recognize my pieces, which makes me happy.” Throughout the process, Women158 avoided copying other artists and focused more on brainstorming with the people around him. “The people who influence me the most are probably the people I paint with,” he says. “We’re constantly bouncing ideas off each other and talking about art.” Pulling from his own experiences, he sprinkles with work with semi-autobiographical elements.

Surrounding himself with creative people pushes Women158 to improve. “I’ve been involved with quite a few crews,” he says, listing RCS (Radicals), VIP (Visual Piracy), AND DG (Damaged Gods). “We all have a lot of mutual respect for each other,” he confesses. “Having a group means everyone brings something different to the table, allowing for more interesting productions.” Women158 is quick to point out that “People often think that crews are gangs. They’re not.”

Today, Women158 sticks with legal walls, but he’s paid his dues with his friends in the streets. Risking arrest, accidents, and getting jumped, he bombed all around the UK, Rome, Amsterdam, and Barcelona. “It just comes with the territory,” he explains. “If you’re running around areas at four in the morning with intentions of breaking the law, you’re gonna get some hassle. It’s just about being focused, knowing what you’re doing, knowing how to deal with situations that might arise, and just getting in and out.” In the end, it’s worth the risk for Women158. “Everyone is getting shafted by the people that are supposed to be looking out for them,” he argues, “so I try to put stuff out there to brighten their days up.”

Those days of hustling are over for Women158 and plenty of travel, books, and heaps of live art await him in 2010. Still, he worries about the future of street art. As street art becomes easier to produce, he believes fewer people will truly take it seriously. “A lot of people claim they’re street artists ‘cos they’ve done some half-arsed stencil in the comfort of their house and nipped out and put it up,” he insists. “Graffiti writers have to perfect and develop letterforms, painting techniques, can control…and that’s just the practical side. Then there are the missions of hitting spots, getting into train yards, avoiding arrest. It’s damn hard work.”

For more info and photos on Women158, check out his website. This weekend is about to get crazy hectic. Saturday entails running my own race, helping at my girls' race, and playing with a two year-old on her birthday. (This last item will probably involve said baby getting cake all over her face.) I'm ready!

Thursday, October 8, 2009

September 2009: Ludo in Paris

Technology surrounds us, but what would happen if the natural world and technology merged? Parisian artist Ludo ponders this question in his giant wheatpastes. In one (aptly titled 'i-Biscus'), the stamen of a large hibiscus morphs into a satellite transmitter. In another, sunflowers look more like engine turbines than normal sunny blooms. Ludo prefers to keep his answers short and sweet so his work can do the talking. He writes:
"I was born in the suburbs of Paris."
"I am around 30 years old and I live and work mostly in Paris."
"Titled 'Nature's Revenge', the work I produce connects the world of plants and animals with our technological universe."
"It speaks about what surrounds us and affects us for any reason and tries to highlight some kind of humility."
"Thank you for the post--Ludo." Thank YOU, Ludo! For more fantastic photos, check out his Flickr.

P.S. Today is Adam's birthday. So if you see a lumberjack/Viking type chasing snakes on Cape Cod, make sure to wish him a happy one. :)

Wednesday, October 7, 2009

September 2009: Gaia in Brooklyn

Over the summer, I headed down to Brooklyn to check out the Willoughby Windows project. Sponsored by Ad-Hoc, the exhibit featured work by Chris Stain, Michael De Feo, Ellis G., and other Illicit favorites. Each storefront housed a different artist's unique piece. In the midst of so many great works, Gaia's style stood out. Mixing animals and humans together, her characters left a big impression on me. That's why I'm so glad she agreed to put a post together. She writes:
"I am a Brooklyn and Baltimore based street artist with a background in printmaking and sculpture."
"Marrying the animal and the human form, Gaia conjures mysterious figures that carry a heavy sense of mythology and recall a past when man and nature were once united."
"These romantic creatures stand in relief to the urban environment as they lurk and beckon from within the city’s forgotten and neglected spaces."
"The conveyance of their story relies on the chance coincidence with a passerby, and even in that intimate moment, their narrative is precarious and delicate."
Thanks, Gaia! For more photos, check out her Flickr.

Tuesday, October 6, 2009

October 2009: New Britain Mural Slam

I never thought I’d be so grateful for rain (especially after this summer). Since the skies opened on Saturday, my meet was cancelled and I could attend the second annual New Britain Mural Slam. Organized by CCSU professor Mike Alewitz and his mural painting class, the event featured a wide range of talent and mediums. Each artist got their own chunk of wall on the Welte parking garage’s 5th floor and was left to do their thing for eight hours. The intermittent rain washed some murals away, but I tried to capture all of them on my camera. Here are some highlights.
Eyesore came out in full force, spraying giant bright pieces flanked with creepy gumdrop monsters. Always a crowd favorite, he signed black books and chatted with everyone.
You can’t tell from this photo, but Mike Goldschneider had one hell of a time getting this stencil to stick. Battling wet walls, dripping paint, and the impending doom of more rain, he managed to slap five layers up before the downpour started. Applause!
Esper and Speak spent a whole day tweaking their pieces. The pair commented other people’s wild style and encouraged others to critique their work. Speak got all cerebral with it, talking about "light sources and shit." I really liked these guys and hope I catch up with them again sometime.
Aside from the brilliance of this hypothetical death match, the guys that worked on this piece made my day when they sprayed a little penguin on the nearby cinderblock. Octopus vs. stegosaurus: who would win?

For some reason, I really enjoyed this mural. Throughout the day, I stopped by this piece again and again intending to ask the artist why the noses were bleeding. I never asked. Any insight here?

I’m sending Alewitz all my photos, so see if he posts them here.