While they love to travel, the group freely admits that their home base is their first love. Parliament Square phone boxes, barriers in Convent Garden, and tunnels in Waterloo Station all received snuggly accessories from the crew. Many view their activities as graffiti with yarn, but don't call it "bombing." "We live in a city where 'bomb' is possible not the best word to bandy about," they explain, "even if it is wooly. But everyone likes a yarnstorm!"
The members of Yarn Corps didn't always express themselves through knitting one and purling two. Bluestocking Stitcher scribbled on the walls at home and Deadly Knitshade "illustrated" Mum's books. Eventually, Knitshade decided to use the power of knitting for good, not evil, and recruited like-minded souls for the task. With a heady mix of yarn and pear cider, the group bonded and hit the streets together.
What sets the group apart is the stories behind their projects. "In the Leake Street tunnel, we created a 13-foot long spider web with 44 horrified handmade creatures being eaten by a spider," Deadly Knitshade reports. "Not many people would have seen it buried down there in the graffiti darkness. Perfect spider location, though." Sometimes, yarnstorms lead to rather sticky situations. "We got caught yarnstorming a phone box in Parliament Square," Deady Knitshade says. "I was so proud, I nearly wept." Shorn-a the Dead adds, "We explained sweetly to the police that it was a 'craft' project. Ah craft. It's so snuggly and innocent sounding!"
Once the knitters started yarnstorming, they quickly realized they couldn't stop. Deadly Knitshade admits, "I am subject to unexpected 'knitblasts' at random moments. Terribly embarrassing at parties. The Fastners agrees, "Yarnstorming can be scarily contagious. It would be futile to resist; there is no choice."
With their one-year anniversary quickly approaching, the members of Yarn Corps show no sign of stopping. "I think our work will just develop in the way it wants to develop," Bluestocking Stitcher says. "It has a mind of its own." Creating a wooly wonderland shows that the whole city is a canvas. Staying true to their mission, Yarn Corps wants people to "really take the time to stop and look at what is around them once in a while. And look up! Nobody ever looks up." 
"I never started doing street art. People came to me and told me that I do street art."
"I work alone. For commission jobs, i will work with other people, too."
"I developed my style by skipping one to get on to the next one. I don't have a favorite place to paint."
"I avoid crazy things going on while I do my stuff."
"Right now, I'm working on canvases for exhibitions and commission jobs for money. Greets from here."
"I started in 1983 with graffiti and have done it ever since."
"Generally, I like to work with colleagues, especially on large walls. For medium-sized pictures, I also like to be alone to paint."
"My style is characterized by much travel and painting with colleagues. My favorite place to paint is South America."
"The craziest places I ever painted was on the North Brazil Tour in 2006 with Os Gêmeos, Isi, Nunca and Coyo. We hung out on the platform from morning til night; there was lots of music and you could see the whole city."
"Right now, I am working on a tour of China."
"Hello, I'm Scheme, a graffiti-artist from Moscow. I have never really made normal street-art so much. I'm more of a graffiti-artist trying not to limit my art. I did my first piece in 2004 and have been painting graffiti for about five years."
"My style is develops on paper. Sometimes I need more sketch time for realisation. In my way, I try not to copy forms which already exists. I'm like piggy bank which needs something new every time. To be honest, the best place for work is canvas. When you paint on it, you control everything and don't worry about any external factors like weather. Of course, good painting environment makes it better, but in my way it's important to concentrate on style. Also, sometimes after painting on walls, you find some marks on photos and already can't correct it. As for canvas, it's free for finishing anytime you want. Sometimes I also use digitals, but it looks not as fresh as handicraft."
"Random Formation was actually a project name from a website I was making," he says. "I ended up liking the name so much I adapted it as a name for myself also. It comes from a very fascinating aspect of the universe: the perfect formations you see all around which aren't man-made (clouds, stars, paint splatters, etc.)." For the past four years, he's covered the streets of Aarhus and other Danish cities with giant spray painted works. "I want to share my creativity with others," he explains, "and not doing things for money has a special reward in itself. Maybe it's something about sharing and defining oneself. At least to me, it feels good!"
For Random, spending time with friends and meeting new people is the best part of painting in the street. "Back when I started, I was in a small two-man crew called '40'," he recalls. "Then the crew grew to three people. Now I'm part of a different crew...it's more like a family. We combine everything from architecture and electricity to gardening, graffiti, and bonfires. Everything's conducted with the same very special approach. It's hard to explain; you should just check it out."
Another crucial element of street art is the challenge. "I don't feel unsafe much," he admits, "but I do feel that usual tension or excitement. I've had run ins with the cops, but fortunately I had luck with the Jedi Mind Trick!" While he paints on canvases as well, he feels as though his work "sounds" better in the street. "It's more open for everybody to join in," he argues. "It's less entangled in the 'broken windows/crime' theory than graffiti, but both mediums are basically about getting your things out there."
In the future, Random is unsure how street art will develop. "Maybe it'll collapse on itself," he muses, "but most likely it'll evolve into something new. We are already witnessing people reaching superstar status in this field. I'm sure it'll live on, though. Just like graffiti, it can't be killed."
Thanks, Random! For more indoor and outdoor pics, check out his website. That's all for now! I'm off to nurse a cold and brace myself for a weekend of working.
"We first started pretty much haphazardly about three years ago."
"We work primarily with seventeen various peoples that frequent our living quarters. There is Maude, who is responsible for stockpiling and for finding loose change in pocketbooks, nooks and crannies, floorboard slits, 'neath hockey sticks, and 'round this or that. Davis, who folds neatly things. Conrad and the twins, Harris and Flodormorph, or 'Floddy' as the kinckies call him, who collectively tend to the sheep, when we do have sheep, and to the hogs when there are hogs. Then there is Carlos-Monton, Carlos-Cristobal, and Carlos-Schopenhauer, who mainly spit the grapes and teach coilo to the women. Spelly who uses her long and golden locks to strain things when things need straining, and who drives old volvina around. Parzinni the mechanic and the apple eater. Bigsley and Bellington who grow the green and who taste it too. Melferly who cuts and pastes and grinds and bastes. Simeon of the North and Simeon of the East, who guard the royal tomb of SIr Stanley Bannum. Neder Gratesmith who minds the gap. And Feredey, who flames the goose, among other things."
"How'd we develop our style? Purely trial and error."
"Sadly, our outings are pretty uneventful minus the occasional run in with this or that, sometimes serious, most times not."
"Recently, we participated in group show at Brooklynite Gallery featuring over 100 artists who all made their own versions of shoeshine boxes as per the requirements of the gallery. It should be a really fun and original show. All the info is here. Those who can should definitely come out."
